The Unlikely Protagonist 3. The Afterlife of Revolution 4. A Quilombo Called Canudos 5. Part 2.
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The Scramble for the Amazon 6. In the Times of Scrambles in the Land of the Amazons 7. Imperialisms, Revolutions, and Resolutions in the Caribbean Amazon 8. Colonizations and Speculations 9. Wall Street, Rebels, and Rio Branco Euclides and the Baron.
Part 3. As Selvas : Into the Litigious Zones In the Realm of Rubber Argonauts of the Amazon Part 4. Cartographer at Court Return of the Native Maps, Texts, and History Part 5. Abyss and Oblivion Killing Dr.
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Haunted by his broken marriage, da Cunha trekked through a beautiful region thrown into chaos by guerrilla warfare, starving migrants, and native slavery. Part III is here. Both siblings must journey beyond their sterile hunting grounds to discover their purpose as agents of mercy and renewal. Yuri undergoes a similar conversion to achieve her true identity as a manifestation of Aphrodite. She is shown in fantasy sequences performing as a cardboard cut-out figure, reinforcing the notion that this is ersatz love, a two-dimensional simulation.
The two are bound by destiny in their love and loss of Momoka, and for this very reason their love must be a sham. In childhood, the shaman girl saves Yuri from her father, just as she redeems Keiju from the rejection of his mother. His pursuit of beauty is the creation of ideal human forms for Nietzsche, Apolline illusion , and the ultimate method of his pursuit, an implicit critique of Japanese society, is an inverted Pygmalion myth in which the artist turns flesh into stone.
Yuri is an incandescent beauty, but her father tells her she is ugly, so he can possess her fully. Only he can make her beautiful; only the beautiful are worthy of love.
The Scramble for the Amazon and the "Lost Paradise" of Euclides da Cunha
He lays her on a stone table, and knocks away at her with chisels of varying shapes and sizes. As in Greek tragedy, we do not see him carry out the sexual violence, and this merely heightens the horror. We only hear him knock away at tender flesh as if it were marble. The chisels are long and sharp, depicted hanging from hooks as instruments of phallic torture. And we only see the result, as Yuri arrives at school with injuries of increasing gravity. Momoka befriends her. She lures Yuri out of her shell-shocked self. Her mental state shows glimmers of light, even as her body is increasingly broken.
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One day, the father tells the daughter that the next day it will all be over. Using a spell from her diary, Momoka makes the towering statue of David disappear, and the father never returns home. Yuri is saved. But the price for such mercy is high: as her punishment, Momoka is hurtled across the sky in a ball of fire, and lands at the foot of Tokyo Tower restored to its rightful place.
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But the punishment prefigures the ultimate penalty she is soon to pay: annihilation by fire while saving commuters in the subway attack carried out by the Takakura parents. In the Greek myth of Leda and the Swan, Zeus descends to earth in the form of a swan and rapes Leda on the same night she conceives children with her husband Tyndareus, king of Sparta. From the couplings two sets of twins are born: Helen and Pollux, children of Zeus; and Clytaemnestra and Castor, children of Tyndareus.
Both The Oresteia and Penguindrum are dominated not only by sets of twins, but twins who are not born to the same parents. Aeschylus even goes against convention by making Agamemnon and Menelaus twins.
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And as we have already seen, Kanba and Masako are blood twins, at once identical and opposite in the way they suffer the tragedy of their incestuous love, one through chastity, the other promiscuity. Kanba and Shoma are the two sides of the same Oresteian character. Eventually, guided by Himari, they must merge, joining the primal oneness to disappear into Castor and Pollux, constellations in the sky. And yet for most of the tale the opposite is true. Ultimately, the challenge is conquered only through the rediscovery of twinned identity and destiny, as Kanba and Shoma together take up the Oresteian call of guilt, suffering and redemption to build the world anew.
Beyond these explicit sets of twins, Penguindrum relentlessly twins characters symbolically. Sanetoshi, the avenging ghost, is the dark twin of Momoka, the redemptive angel.